HUNGERFORD ARCADE AND THE EXTRAORDINARY LIFE OF NORAH GILCHRIST

Many of you have read Stuart Miller-Osborne’s wonderful real-life story, “Attics and Basements (Confessions of a Book Collector)”.  Well, a new article, researched and written by Stuart will be coming to you very soon and I thought you would like a taster.  Below you will find a brief insight into how this story came about and how dedicated Stuart is in getting it right.  There is also a photograph of Norah and a postcard written by her during WWI.

As Stuart says, all of these papers and photographs came to Hungerford Arcade via a house clearance.  We were all so enthralled and fascinated by Norah, we asked Stuart if he would do an article for us to Blog for you.  

We have a worldwide audience for our Blogs and we appreciate each and everyone of you who follow them.  Thank you.
Rita

NORAH GILCHRIST
1885 – 1966


Norah’s papers came from a recent house clearance. I do not have more information which in a way makes the research and the writing of the article more exciting. In all there are some thirty items including her arm band, The letters date from 1904 to 1919. As far as I can see Norah (a Yorkshire girl) was born in 1885. and worked in a secretarial capacity in her early years. She appears to have become a nurse in 1907/8 in Leeds. She registered with the Territorial Force Nursing Service and was called up in August 1914 and requested to to be ready for service in Salonika in 1916. From the papers I can confirm she was out there in 1918 although I believe she had been in Greece for quite a while before that. She was discharged in 1919 and married a surgeon named Alexander Gilchrist in the December of 1919. I am still trying to trace them after that but I believe that Norah died in Hampstead in 1966 (Although I have yet to be certain). This will constitute the final part of my article.

Stuart Miller-Osborne




 







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HUNGERFORD ARCADE: THE DOLLS HOUSE

THE DOLLS HOUSE
PART II


This is the second and last part of the remarkable dolls house which took Leonard Martin 26 years to build.  I hope you have enjoyed it as much as I have.
Rita
The Sitting Room

The door to the left of the staircase leads into the sitting room. Each floor board has been individually laid, stained and French polished. All six windows have working shutters, they are dressed with curtains and pelmets.
An elegant chandelier hangs from the centre of the ornate ceiling with its blue, white and silver painted mouldings highlighted with gold leaf. Around the frieze there are 32 plaster, gold leafed swags and tails. 

The Sitting Room

The fire place features a fire basket that lights up and a pair of gilt swans.
The display cabinet contains antique ivory elephants, a marble bust, a carved monkey and two modern boxes. A door to the left of the fireplace leads to the kitchen.


The Red Bedroom


This red and gold room has individually laid polished floor boards, six windows with curtains, pelmets and working shutters. The ceiling is quite spectacular with 25 hand made plaster mouldings which have been gold leafed. In the centre hangs a six branched chandelier. The frieze around the top of the walls which has been decorated in the same rich red and sumptuous gold as the ceiling includes 30 more hand made plaster mouldings.
The impressive fireplace is made of wood with a marble effect finish. There are plaster columns on either side and even the fire basket lights up. The feature wall has been deco-rated with a red flock wallpaper.


The Red Bedroom
Sitting on the mantle shelf over the fire place is the figure of a bird in solid silver, a brass dog and a pair of brass candlesticks. On the wall above the shelf is an ornate silver metal framed mirror and to the right of the fireplace is a cherub figure on top of a silver plated column.
To the left of the fireplace, at the back of the room, is a door which leads to the en-suite bathroom.
The Red Bedroom

Sitting on the gilt commode is a bronze figure of a boy holding a bird.
Hanging on the front wall is a miniature oil painting copy of the Mona Lisa.

THE END



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HUNGERFORD ARCADE AND THE ‘OLD’ BUGLE BOY

‘BUGLE BOY’

One of the amazing attributes of Hungerford Arcade is the diversity of its customers.  Many of them see something that takes them straight back to their childhood.  The surprise and excitment is so great, you soon know about it!  Hence the need to always keep the camera and my notepad at hand!

One such customer, was Gary Walker.  Gary was in the Boys Brigade in 1974 as a bugler and what did he just find? A Boys Brigade bugle.  

Well, Gary couldn’t believe his eyes and without any prompting, put it to his mouth and blew!  As you can see from the excited expression on his face, Gary was in his element!

You never know what delights you will come across in Hungerford Arcade, but we know, you will find something that will put a smile on your face!
Rita



Well done Gary!

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HUNGERFORD ARCADE: THE DOLLS HOUSE THAT TOOK 26 YEARS TO BUILD

PART ONE
 
Leonard Martin is one of Hungerford Arcade’s truly remarkable customers.  This is a story of a wonderful man, Leonard Martin who has spent 26 years of his life building the most beautiful Doll’s House, probably in the world.  Every piece is individually made and built by him.  You must read the extraordinary history of  this house and study the beautiful photographs, then you will appreciate what an amazing feat Leonard has completed.
This beautiful doll’s house is rarely open to the public so do not miss this opportunity to view it on Charlton Marshall’s Open Day being held on the 15th and 16th June 2013.  Viewing times are from 2 pm to 6 pm each day and will cost just £1 with all proceeds going to the Village Hall Fund.
Rita
Introduction
 

Welcome to the history of Langdon Hall.
My name is Leonard Martin, I designed and built this house in 
memory of my mother and younger brother Ken.
I started over twenty six years ago and it has been an on and off 
project ever since. The house is a 1/12th scale and most of it is 
hand made. It is 6’ 2” long by 2’ 3” wide and 3’ 6” high. It has 
cavity walls, marble and wood floors. The main ceilings are 
painted plaster which has then been gilded with 24ct gold leaf. 
Each room is illuminated by electric lights and some have glowing fireplaces.

The house comprises of 

 Entrance hall
 Dining room
 Sitting room
 Kitchen
 Bedroom one with bathroom
 Bedroom two with bathroom

The exterior walls are clad with a combination of 720 quoin 
stones and over 4000 mock stones hand cut from cardboard. 
The roof is topped with 138 balustrade and 16 statues. 

Langdon Hall
The country seat of Lady Langdon

 

“Welcome to the world of miniature”
 

This elegant country house comprises of the following:
 Two fine reception rooms, both boasting ornate, gilded plaster ceilings and handsome fireplaces.
 Two exquisite bedrooms each having their own, private en-suite bathroom.
 The scrubbed and functional kitchen is located on the ground floor, at the rear of this impressive home and is certainly the hub of the household.
 The grand marble floored entrance hall leads to a lavish stairway and then up to a gallery landing which is lit by a spectacular crystal chandelier.

Langdon Hall was designed and built by Leonard Martin over a period of 26 years and at a cost of approximately £6,000.

The Entrance Hall

 

 

The grand entrance hall has 154 marble tiles laid on the floor. The centre staircase leads up to a half landing from which two sets of stairs ascend to the top landing. At either end are doors leading to the two bedrooms and each bedroom has its own ensuite bathroom.
At the front, centre of the top landing is a sun room which is situated above the main entrance of the house. The sun room features stained glass, leaded windows and window seat.
The stair carpet was made by my elder brother Philip, it took him 8 months to complete and it is secured with brass stair rods.
The metal work up each side of the stairs is all hand made, painted and highlighted with gold leaf.
The wooden floor boards up stairs are all individually laid, stained and French polished.
In the centre of the halls ceiling is a very fine chandelier which is made with mostly Swarovski crystals.
In the picture above there is a door to the left which leads to the Sitting room and a door to the right which leads to the dining room. Each of these rooms have another door which leads into the kitchen.
 
 
 
The Dining Room

The floor in this room has individually laid floor boards which have been stained and then French polished. The fire place sits on a marble hearth and the mantle is decorated with three Wedgwood cameo’s. The basket of coals also lights up.
The ceiling is made up of 68 plaster mouldings which have been hand painted and gold leafed. The frieze around the walls, just below the ceiling is decorated with 32 blue and white cameo’s.
The room is lit by a handmade chandelier made from Swarovski cut crystals. The room has six windows with working shutters each dressed with curtains and pelmets. Early in my career I designed and made full sized pelmets for the John Lewis company.
At the rear, left side of the room a door leads into the dining room.

 
The Dining Room Contents
 
This room has a fine oil painting hanging over the fire place. Standing just to the right is a column on which sits an antique brass figure depicting a cherub in prayer.

Sitting on the table is an antique silver plated serving dish with lid. On the side board is an antique silver plated Victorian fruit dish embellished with the Royal coat of arms.


The floor in this room has individually laid floor boards which have been stained and then French polished. The fire place sits on a marble hearth and the mantle is decorated with three Wedgwood cameo’s. The basket of coals also lights up.
The ceiling is made up of 68 plaster mouldings which have been hand painted and gold leafed. The frieze around the walls, just below the ceiling is decorated with 32 blue and white cameo’s.
The room is lit by a handmade chandelier made from Swarovski cut crystals. The room has six windows with working shutters each dressed with curtains and pelmets. Early in my career I designed and made full sized pelmets for the John Lewis company.
At the rear, left side of the room a door leads into the kitchen.

THE LANDING

Accessed from the landing and situated directly above the main entrance is the sun room. It is fitted with window seats and illuminated by a stained glass window.

The Landing

The wooden floor boards are all individually laid, stained and French polished.In the centre of the ceiling hangs a very fine chandelier which is made with mostly Swarovski crystals. At each end there is a door which leads to the two en-suite bedrooms.

The Green Room
Bedroom 0ne

The green bedroom has individually stained and polished floor boards, six windows with curtains, pelmets and working shutters. The ceiling in this room is very ornate indeed and includes 100 hand made plaster mouldings, 25 of which have been embellished with gilded brass flower heads.

Around the frieze there are 26 gold leafed plaster cherubs and 20 gold leafed corbel brackets.
The room is illuminated by two impressive chandeliers made with Swarovski cut crystal drops.

The fireplace is handmade in marble with two silver plated cherubs holding up the mantle shelf. 
At the back of the room, to the right of the fireplace, a door leads to an en-suite bathroom.
This room has a hand made carpet in front of the grand bed. Above the fireplace hangs the beautiful image of “The birth of Venus “ by Alexandre Cabanel 1863.
To the left of the glowing fireplace, sitting on a column, is an antique bronze figure of a boy hugging a bird to his chest.
 
………….To be continued
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HUNGERFORD ARCADE AND JACK SPRATT

Here at Hungerford Arcade, we have many interesting dealers with a story to tell. Frances and Alec Jones have a unit at the Arcade and told us that recently they put their house up for sale! So what! you may say. Ah ha, but, this is no ordinary house.

The house is in the village of Wootton Rivers, set in the beautiful Wiltshire countryside. The village has many wonderful thatched houses and cottages and even a lock keeper’s cottage.   The one we are going to talk about is called the ‘Clock House’.

The Clock House is a beautiful Grade II listed building once owned by Jack Spratt, the scrap-heap clockmaker! The house was so-named when Jack made a clock which he put on the front of his house with only a ‘3’ and a ‘9’ on the dial. Above these was the word ‘Clock’ and below ‘House’. So called because he made beautiful clocks out of scrap. Jack loved clocks, they were his passion from a very young age. He taught himself clockmaking by repairing clocks and watches for his friends. He had beautiful clocks all around his house, including grandfather clocks all made by his own hands! The most famous of which is the Church clock.

To commemorate the coronation of George V in 1911, the villagers decided the Church should have a clock, but because of the expense, it was out of their reach! Jack Spratt then stepped forward and offered to make the clock for nothing provided the villagers supplied him with all the material that he would need to complete this huge undertaking. This they did by the cart load! Huge quantities of brass, lead, bedsteads, gunmetal, pipes, old shell casings from WWI and anything else they could lay their hands on!
The Church of St Andrew is, as are most village churches, a very tranquil place and because of the trees that surround it, is quite difficult to see from the road but can be clearly viewed from the railway bridge. Just follow the narrow path through the piers where, long ago, gates once hung and you will find yourself being taken back in time to a picture perfect churchyard surrounded by farm land, open countryside, beautiful bird song and the peace and quiet that we all so very much desire!

The Church is sought out by many visitors to the village. Looking up at the wooden belfry, they see the famous clock made by Jack Spratt. Apart from the enormous feat of making the clock out of scrap and bits and pieces this is no ordinary clock! The clock has three faces. Two are normal numeric faces but the third, instead of numbers has these words around it ‘GLORY BE TO GOD’. 

In August,1931, not long before he died, Jack Spratt wrote a poem about his work.







Where did you learn your trade?” hundreds asked of late, so here’s a short sketch of my doings to date.

The Scrap-heap Clockmaker of Wootton Rivers

In Wootton Rivers I have had a good spell,
Born here (1858), here I still dwell.
First thing I remember, sounds strange, still it’s true
We lived in a barn, that was when I was two.
Clock House’ was the school then, to it I was sent
Until I was 7, then to ploughing I went.
Later I went bird-scaring with an old gun,
Shot straight and soon taught birds our cornfields
to shun.
Met with an old watch with its ticking gone wrong,
Doctored’ it with my knife until it ticked strong.
Soon then I did all sorts of work on that farm,
To wake early I made the queerest alarm –
Made clock throw down a large tin bowl striking
four,
Which made a great noise as it rolled on the floor.
I liked farm life all right but ‘twas such small pay:
From 2d I’d rose to top – two bob a day.
E’en with that, last year there, I put seven pounds
by;
To save up a thousand I thought I would try.
When 20, to get more, to Maidenhead went,
In Nicholson’s brewery two years odd I spent;
From bottle washing there I rose to be clerk
But at that I saw I’d make no special mark.
My master gave me every chance to get on
But mechanic’s work my mind was set upon.
My mates brought me watches and clocks to put
right,
Of various sorts I thus got an insight.
While doing this evenings I thought out this plan –
I could be my own master as a ‘clock man’.
So I came back home in 1881;
Clock-watch work on my own I quickly begun,
Was soon known round this district wherever seen,
Had thousands of watches and clocks for to clean;
Any part of these I soon learned to repair,
Could turn a watch pivot as fine as a hair.
For years I did post-work just morning and night,
Had all day for other work – that did just right.
And soon I became sort of Jack of all trades,
The things I repaired were of all sorts and grades:
From delicate watch work to mowing machines
Or to making shuttles for sewing machines.
A piano part for harmonium I made
So that both together the two could be played.
Six public accounts were all once kept by me,
Wilts Club, Co-op, Pig Club, School, Rates,
Parish C.
For nigh 17 years I collected the rates
Then I gave that job up to one of our mates;
At one time I made music boxes to play,
Framed pictures, repaired windows too, at that day.
In 1911, at the king’s coronation,
We wanted a Church Clock in commemoration;
The cost seemed too great for spare £ s. d.
So I said “I’ll make one, from odds and ends, free.”
Some thought I was joking; I said “No, I’m not;
Let me have your scrap-heap stuff, any you’ve got.”
They seemed to be willing, so I made a start.
And chose what I wanted, each suitable part.
I wrote to a firm for wheels – got no reply;
That taught me on my own skill I must rely.
A plain 4-inch bed lathe without a slide rest
Was all the machinery I then possessed;
People gave me two large wheels nearly alike,
One did for the going side – one for the strike;
For all other wheels I made patterns of wood,
Got them cast in hard brass to make the job good;
The crudest contrivance (it still may be seen)
I rigged up to act as wheel-cutting machine,
With flat files I made round cutters of hard steel,
To cut all the teeth in each pinion and wheel;
Made division plates the blank wheels for to space
So that every tooth be exactly in place;
The steel pinions I made with spindles of bikes,
A sledgehammer hits the bell when the clock strikes.
On one of three dials is “Glory be to God”,
I used a broom handle for the pendulum rod;
It has 66 Ibs of lead for its bob,
My wife melted that and it was a hot job.
I made lots of tools by the aid of her fire,
Tempered drills and pinions that I did require.
From April thirty to August thirty-one
The clock was made, fixed up and everything done.
Its movement has never been taken apart,
Twenty years at its first stretch is not a bad start.
Our chimes are unique, every hour they are
changed,
Each chime tells the hour by being so arranged.
Folks say the church clock’s the masterpiece of all;
It may be – for brains and hands answered the call;
The brain work seemed easy, the hand work
somehow
Made great drops of sweat tumble off of my brow.
I got it to keep time by aid of the stars,
The fixed ones – not planets like Venus and Mars.
I’d seen no clock like it and did not quite know
If it would act right till I got it to go.
Reporters came down here from London by train
To take photos of it to make it quite plain
Of what it was made, and as to how it acts;
Some foreign papers also published the facts.
The Mayor of Wandsworth a silver medal sent,
Congratulations came from Kendal and Dent;
Some letters reached me from the United States,
Lots from unknown friends and a lot from my mates.
In ’13 I had a financial look round,
So I may as well mention just what I found.
Thirty years I’d worked nigh fourteen hours a day,
Often on one day I had earned two days pay;
Though earned like a horse, ‘twas not spent like an ass
For all my spare shillings to my bank did pass.
My earnings per year averaged nigh eighty pounds
And stored in the bank a fair nest egg I found:
My earnings with interest reached one five ought ought,
For saving or hard work I gave no more thought.
I’d earned all I wanted – a trifle to spare,
To save more seemed like wanting other folks’ share.
I’ve done just a few clocks for friends since that time,
But chiefly I’ve made clocks to play or to chime:
One hundred and fifty tunes one of them plays,
Hymns, songs, marches, God save the King,
Marseillaise,
There’s forty eight chimes, one each quarter all day,
And at each hour one of its tunes it will play.
Some shows sunrise, sunset and clock time at noon,
Date, day, month, and leap year and phases of moon;
There’s several specimens standing around
That are like pianos for volume of sound.
’s now my contemplation.
This rhyme I wrote in August one, nine, three one,
Jubilee of when ‘on my owFrom most of them each hour sweet harmony blends;
I’ve chiefly constructed them from odds and ends.
We show them with pleasure to people who call,
Clock House is well known by its clock on the wall.
Our bell barrel organ thirty tunes plays,
Our merry go round I made for fete days;
Our music chair amuses people a bit,
It plays a tune when on the seat people sit.
We never know what we can do till we try;
At failure I smile – ‘Try again, lad,’ says I.
Strong drink don’t suit, I drink milk with water in,
Smoking, gambling, horse racing I’d not begin;
To theatre, circus, cup-ties I’ve not been,
Pictures, talkies, kinemas I’ve not seen.
For such thing I have not the least interest,
Nature and machinery are things I like best.
Strolling round our country lanes I do enjoy,
Or round our old hill, as I did when a boy.
Our hospital twice has lengthened life for me,
Its box is here, white coins slip in easily.
I’ve enjoyed a long life and met many kind friends,
Small ailments now indicate long lives have ends.
I’ve been very happy in my occupation,
A sweet long rest comingn’ I begun.
The Wizard of Wootton, some folks call me that,
Some Scrap-heap Clockmaker, and some say
JACK SPRATT.

:

Picture No.01
Jack Spratt’s House
The Clock House. Wootton Rivers

Alec and Frances are lucky enough to own one of Jack Spratt’s clocks and they are going to leave it in the house when it is sold along with a framed, full page newspaper article about the life of Jack Spratt

On the outside of dial  ‘LIVE IN PEACE’
On the inside of dial  ‘AVOID ALL WAR;

It is believed the clock was made for
someone named ‘CHIPS’ who lived in
Wootton Rivers

Around the Dial instead of numberals:
‘GLORY BE TO GOD’







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HUNGERFORD ARCADE WELCOMES ALFIE

Hungerford Arcade has many visitors and some of them have four legs!  Today, we were honoured by the presence of Alfie a 9 year old French Briard Retriever cross.  You will see from the pictures what a beautiful boy he is.  In fact, he is a very big boy!

Alfie was so pleased to see us, he smothered me in kisses!  He is such a gentle boy and very friendly.  He gently ambled his way through the Arcade with his owner, stopping every now and then for a chat and a hug from the customers, which didn’t phase him at all!

Alfie stopped to say goodbye, had a drink of water then left.  Wonderful!
Rita


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HUNGERFORD ARCADE: ATLAS MOUNTAIN WORLD 8 DAYS CHALLENGE TRIP

Two young school girls came into Hungerford Arcade on Saturday, with two plates of  cakes which they made themselves to sell to the public.  Obviously, we bought some and they were delicious!

The girls, Cait Prendergast and Sophie Reed, are students at St. Bartholomew’s School in Newbury, Berkshire.  They explained that they are taking part in the Atlas Mountains World 8 Days Challenge Trip.  One of  the challenges is to raise money to pay for the trip and so far, they have sold cakes, toys donated by their brothers, guess the name of the horse, bag packing at the local supermarket and sponsored events.

On condition that they raise all the monies needed to pay for their place on the trip, they will leave for the Atlas Mountains on 26th May where they will be taking part in more challenges.

If you feel you would like to help Cait and Sophie get to the Atlas Mountains, then you can contact Sophie on 01488 658340.

Good luck Cait and Sophie!
Rita

From left: Cait, Rita and Sophie


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HUNGERFORD ARCADE: VINTAGE CAR DAY

On Sunday, 26th May, the Thames Valley Vintage Car Club will be coming to Hungerford Arcade.  This will be the second year that this event has been held to raise money for charity.  There will be many beautiful cars, WWII American Army jeeps, a beautiful old Post Office van, Ferrari, Jaguars, Triumphs, Daimler, Wolsey, Austin, Morris and many, many more.  

 
The cars will line-up outside the Arcade with many more in the staff car park at the rear.  See the photographs below.  It is a fabulous day out.  The Farmers’ Market will be there and of course, visit our famous Hungerford Arcade.  A beautiful building filled with antiques and collectables and Rafters Cafe’ situated at the very top of the building, serving wonderful homemade food.  So do come along and have a fabulous day out!
Rita
 
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HUNGERFORD ARCADE & THE THREE BLADED KNIFE!

A customer, Dr. Colin Harris, runs a club for collectors of curious items!  One such item was a three bladed table knife which he had recently purchased and found that neither he nor his fellow curio collectors had ever seen anything like it before and had no idea what it could be used for!  Dr. Harris e-mailed Hungerford Arcade with pictures of the knife and asked if anyone here would know anything about it!  Well, we have Barbro Rees at the Arcade and fortunately, she specialises in cutlery!  

This is Barbro’s reply to Dr. Harris!
Rita

“I’ve never seen a three parallel bladed knife but
I find there are several patents about them e.g.

www.google.com/patents/US5680705

www.google.com/patents/EP0680809A1?cl=en

The latter patent includes the following paragraph:”

‘The knife, according to the invention, comprises a
handle which is joined with multiple parallel blades
so that the number of cutting operations for slicing
a food product is reduced as every cutting operation
gives several slices at the same time. In a preferred
embodiment the invention relates to a multiple-blade
knife for cutting food products into slices, wherein
the multiple blades are arranged in parallel and joined
to a handle, and wherein the handle has means for
setting and adjusting the distance between the blades
and wherein there are means for a temporary removal
of the parallel blades in order to free the knife blades
from the food product after the cutting’.

Barbro


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HUNGERFORD ARCADE: AEROPLANES WITH PAUL DREWETT

Paul Drewett has been a stallholder at Hungerford Arcade for many years and deals mainly in model ships, yachts and aeroplanes which sit on or hang from the old oak beams around the square in the centre of the building.  When you are in Rafters Cafe’, you can actually look down on the aeroplanes which is an amazing sight.  Below there are photographs of Paul putting the planes in place.  I hope you like them.

Rita


On Left: Lovely Ship’s Figurehead

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